Law, Hollywood and the European experience
Robson, Peter; (2008) Law, Hollywood and the European experience. In: Studies in Law, Politics, and Society. Emerald Publishing Limited, pp. 117-146. ISBN 978-1-84855-378-1 (https://doi.org/10.1108/S1059-4337(2009)0000046005)
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Just as the films that we see are conceived in specific economic, political and cultural contexts, so scholarship is produced within determined situations. This chapter notes some of the driving forces which have led to the emergence of law and film as an area of extensive and very diverse scholarship in the past decade. Whilst these factors have shaped the nature and extent of this work it should be noted that changes in both legal professional interests, academic criteria and within the culture industry mean that we can expect shifts in the nature and patterns of scholarship in the future. These may not, however, be the ones called for by other commentators (Moran, Sandon, Loizidou, & Christie, 2004; Sarat, Douglas, & Umphrey, 2005).
ORCID iDs
Robson, Peter ORCID: https://orcid.org/0000-0003-0699-8169;-
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Item type: Book Section ID code: 43815 Dates: DateEvent2008PublishedNotes: Series editor: Professor Austin Sarat Subjects: Fine Arts > Visual arts (General) For photography, see TR
Law > Europe
Law > United States Federal Law
Language and Literature > Literature (General) > Motion PicturesDepartment: Faculty of Humanities and Social Sciences (HaSS) > Strathclyde Law School > Law Depositing user: Pure Administrator Date deposited: 14 May 2013 15:34 Last modified: 11 Nov 2024 14:52 URI: https://strathprints.strath.ac.uk/id/eprint/43815