Archiving the First World Festival of Negro Arts (Dakar 1966) : recuperation, nostalgia and utopianism

Murphy, David (2016) Archiving the First World Festival of Negro Arts (Dakar 1966) : recuperation, nostalgia and utopianism. World Art, 6 (1). pp. 125-146. ISSN 2150-0908 (https://doi.org/10.1080/21500894.2016.1165730)

[thumbnail of Murphy-WA2016-Archiving-first-world-festival-negro-arts-Dakar-1966-recuperation-nostalgia]
Preview
 Text. Filename: Murphy_WA2016_Archiving_first_world_festival_negro_arts_Dakar_1966_recuperation_nostalgia.pdf
Accepted Author Manuscript
Download (365kB)| Preview

Abstract

This article will examine the concepts of recuperation, nostalgia and utopianism in relation to the First World Festival of Negro Arts, which was held in Dakar in 1966, in part through an exploration of how this event was evoked in the third edition of the festival (known as FESMAN) in 2010. It will address a series of intriguing questions about the difficulties involved in locating an archive of ephemeral, performance-based events, which may leave few material traces after they have been completed. Although the major Pan-African cultural festivals of the 1960s are regularly cited (usually in passing) as key illustrations of the utopianism that marked the period of decolonization, the issue of their actual legacy in terms of popular, institutional and official national memory is a complex one. The first half of the article will thus explore the official archive of the 1966 festival, while also attempting to identify new ways of engaging with some of its legacies for its multiple audiences. The second half of the article will then explore what FESMAN 2010 reveals about the prevalence of processes of recuperation and nostalgia, but also the ongoing utopian engagement with the Pan-African archive in contemporary encounters with these ephemeral events from the past.

ORCID iDs

Murphy, David ORCID logoORCID: https://orcid.org/0000-0002-4450-6308;
  • Item type:Article
    ID code:66760
    Dates:
    Date
    Event
    4 May 2016
    Published
    11 February 2016
    Published Online
    11 November 2015
    Accepted
    Notes:This is an Accepted Manuscript of an article published by Taylor & Francis in World Art on 11/02/2016, available online: https://doi.org/10.1080/21500894.2016.1165730
    Subjects:Social Sciences
    Fine Arts
    Department:Faculty of Humanities and Social Sciences (HaSS)
    Depositing user: Pure Administrator
    Date deposited:31 Jan 2019 09:24
    Last modified:11 Nov 2024 12:12
    URI:https://strathprints.strath.ac.uk/id/eprint/66760
CORE (COnnecting REpositories)