Adapting the modern law novel: filming John Grisham
Robson, Peter (2002) Adapting the modern law novel: filming John Grisham. Journal of Law and Society, 28 (1). pp. 147-163. ISSN 0263-323X (http://dx.doi.org/10.1111/1467-6478.00184)
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The essay looks at the process of adaptation of fiction to film. It seeks to build on earlier work which suggested that this process required to be examined in the political and social context within which the adaptation occurred. It focuses on the work of John Grisham and notes how the fiction of Grisham can be divided into thrillers and social issues novels. These in their turn have been turned into films in which, in the process of adaptation, their themes have become both sharper and more focused. They have also in this process become less critical of the social and political structures within which Grisham's fictional protagonists operate. The essay seeks to provide an explanation for this paradox which relates to the fore-mentioned notion of contextual adaptation.
ORCID iDs
Robson, Peter ORCID: https://orcid.org/0000-0003-0699-8169;-
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Item type: Article ID code: 25169 Dates: DateEventMarch 2002PublishedNotes: Also available in: Film and the Law (2001), ISBN: 185941639X Subjects: Fine Arts > Visual arts (General) For photography, see TR
Law > Law (General)Department: Faculty of Humanities and Social Sciences (HaSS) > Strathclyde Law School > Law Depositing user: Strathprints Administrator Date deposited: 30 Jun 2010 15:46 Last modified: 11 Nov 2024 09:29 URI: https://strathprints.strath.ac.uk/id/eprint/25169