Dissenting voices? Controlling comics under Franco
McGlade, Rhiannon (2018) Dissenting voices? Controlling comics under Franco. European Comic Art, 11 (1). 30–47. ISSN 1754-3797 (https://doi.org/10.3167/eca.2018.110103)
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Abstract
The installation of the Franco dictatorship sparked an inadvertent boom in the production of comics. While many cartoonists hailing from Barcelona's rich satirical tradition went into exile or clandestine publication, still more turned to the children's comics market that had become firmly rooted in the Catalan capital since the 1920s. Until the 1950s, comics remained relatively free from censorial intervention, and the development of characters such as La Familia Ulises, Carpanta and Doña Urraca offered cartoonists an outlet for covert critique. However, in 1952, the Junta Asesora de la Prensa Infantil was established to police children's publications for 'inappropriate' content, marking a turning point in the history of Spain's comics genre. This article discusses the implications of this specific legislation for editors, artists and their comic strip characters, focusing on the publications Pulgarcito, TBO and DDT.
ORCID iDs
McGlade, Rhiannon ORCID: https://orcid.org/0000-0002-6792-430X;-
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Item type: Article ID code: 83232 Dates: DateEvent1 March 2018Published21 January 2018AcceptedSubjects: Language and Literature > French literature - Italian literature - Spanish literature - Portuguese literature Department: Faculty of Humanities and Social Sciences (HaSS) > Humanities > Spanish Depositing user: Pure Administrator Date deposited: 16 Nov 2022 14:56 Last modified: 26 Nov 2024 01:18 Related URLs: URI: https://strathprints.strath.ac.uk/id/eprint/83232