Rendering race through a paranoid postsocialist lens activist curating and public engagement in the postcolonial debate in Eastern Europe

Tools

Koobak, Redi and Tali, Margaret; Blaagaard, Bolette B. and Marchetti, Sabrina and Ponzanesi, Sandra and Bassi, Shaul, eds. (2023) Rendering race through a paranoid postsocialist lens activist curating and public engagement in the postcolonial debate in Eastern Europe. In: Postcolonial Publics. Postcolonial Publics: Art and Citizen Media in Europe . Venice University Press, Venice, pp. 189-208. ISBN 9788869696770 (https://doi.org/10.30687/978-88-6969-677-0/011)

[thumbnail of Koobak-Tali-PP-2023-Rendering-race-through-a-paranoid-postsocialist-lens-activist-curating-and-public-engagement]
Preview
 Text. Filename: Koobak_Tali_PP_2023_Rendering_race_through_a_paranoid_postsocialist_lens_activist_curating_and_public_engagement.pdf
Final Published Version
License: Creative Commons Attribution 4.0 logo
Download (737kB)| Preview

Abstract

This chapter engages with the heated public debate on racial representation and colonial history that arose around Kumu Art Museum's exhibition Rendering Race (2021) in Estonia. As an academic activist intervention, it proposed an important shift by changing racist titles of artworks from the twentieth century and thereby for the first time in the museum's practice considered minority groups as its publics. The chapter analyses the curatorial strategies used and the key points of contention in the public debate to consider what it revealed and obscured about Eastern Europe's relationship to the aftermath of European colonialism.

ORCID iDs

Koobak, Redi ORCID logoORCID: https://orcid.org/0000-0002-7932-2867 and Tali, Margaret; Blaagaard, Bolette B., Marchetti, Sabrina, Ponzanesi, Sandra and Bassi, Shaul
CORE (COnnecting REpositories)