'Visual affluence' in social photography : applicability of image segmentation as a visually-oriented approach to study Instagram hashtags
Rathnayake, Chamil and Ntalla, Irida (2020) 'Visual affluence' in social photography : applicability of image segmentation as a visually-oriented approach to study Instagram hashtags. Social Media + Society, 6 (2). pp. 1-24. (https://doi.org/10.1177/2056305120924758)
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Abstract
The aim of the study is to examine the applicability of image segmentation—identification of objects/regions by partitioning images—to examine online social photography. We argue that the need for a meaning-independent reading of online social photography within social markers, such as hashtags, arises due to two characteristics of social photography: (1) internal incongruence resulting from user-driven construction and (2) variability of content in terms of visual attributes, such as color combinations, brightness, and details in backgrounds. We suggest visual affluence—plenitude of visual stimuli, such as objects and surfaces containing a variety of color regions, present in visual imagery—as a basis for classifying visual content and image segmentation as a technique to measure affluence. We demonstrate that images containing objects with complex texture and background patterns are more affluent, while images that include blurry backgrounds are less affluent than others. Moreover, images that contain letters and dark, single-color backgrounds are less affluent than images that include subtle shades. Mann–Whitney U test results for ten pairs of hashtags showed that eight pairs had significant differences in visual affluence. The proposed measure can be used to encourage a “visually oriented” turn in online social photography research that can benefit from hybrid methods that are able to extrapolate micro-level findings to macro-level effects.
ORCID iDs
Rathnayake, Chamil ORCID: https://orcid.org/0000-0003-1964-2639 and Ntalla, Irida;-
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Item type: Article ID code: 71089 Dates: DateEvent24 June 2020Published24 June 2020Published Online1 August 2019AcceptedSubjects: Fine Arts > Visual arts (General) For photography, see TR Department: Faculty of Humanities and Social Sciences (HaSS) > Humanities > Journalism, Media and Communication Depositing user: Pure Administrator Date deposited: 14 Jan 2020 12:27 Last modified: 11 Nov 2024 12:33 URI: https://strathprints.strath.ac.uk/id/eprint/71089