Philip B. Marston's "Prelude" : blindness, form and the long Pre-Raphaelite period

Kistler, Jordan (2016) Philip B. Marston's "Prelude" : blindness, form and the long Pre-Raphaelite period. Journal of Pre-Raphaelite Studies, 25 (Spring). pp. 81-96. ISSN 1060-149X

[img]
Preview
Text (Kistler-JPRS-2016-blindness-form-and-the-long-Pre-Raphaelite-period)
Kistler_JPRS_2016_blindness_form_and_the_long_Pre_Raphaelite_period.pdf
Accepted Author Manuscript

Download (7kB)| Preview

    Abstract

    Philip Bourke Marston was, in a sense, raised into Pre-Raphaelitism. Born in the year The Germ launched, Marston grew up alongside the movement. At the age of twenty-one, Marston had the support of both Swinburne and Rossetti in the publication and promotion of his first volume of poetry, Song-Tide and other poems (1871). In this article I will look specifically at the “Prelude” to Song-Tide to argue that Marston attempted early on to demarcate his work from that of the major figures of Pre-Raphaelitism by staking claim to the aural/oral, rather than the visual. In fact, his participation in Pre-Raphaelitism, far from being imitative, helped to steer the movement towards the formalism that would come to dominate the poetry of the later Aesthetic movement.