Picture of model of urban architecture

Open Access research that is exploring the innovative potential of sustainable design solutions in architecture and urban planning...

Strathprints makes available scholarly Open Access content by researchers in the Department of Architecture based within the Faculty of Engineering.

Research activity at Architecture explores a wide variety of significant research areas within architecture and the built environment. Among these is the better exploitation of innovative construction technologies and ICT to optimise 'total building performance', as well as reduce waste and environmental impact. Sustainable architectural and urban design is an important component of this. To this end, the Cluster for Research in Design and Sustainability (CRiDS) focuses its research energies towards developing resilient responses to the social, environmental and economic challenges associated with urbanism and cities, in both the developed and developing world.

Explore all the Open Access research of the Department of Architecture. Or explore all of Strathclyde's Open Access research...

'The most passionate cover I've seen' : emotional information in fan-created U2 music videos

Rasmussen Pennington, Diane (2016) 'The most passionate cover I've seen' : emotional information in fan-created U2 music videos. Journal of Documentation, 72 (3). pp. 569-590. ISSN 0022-0418

[img]
Preview
Text (Pennington-JOD-2015-The-most-passionate-cover-ive-seen-emotional-information-in-fan-created-U2-music)
Pennington_JOD_2015_The_most_passionate_cover_ive_seen_emotional_information_in_fan_created_U2_music.pdf
Accepted Author Manuscript

Download (723kB) | Preview

Abstract

This article explores how both producers and consumers of user-created music videos on YouTube communicate emotional information. 150 filmic documents containing fan-generated versions of U2’s “Song for Someone” were purposively collected. The author used discourse analysis to understand the types of videos created, the communication of emotional information from both the producers and the consumers, the social construction of emotion in the filmic documents, and elements of intertextuality that represented emotion. Fans created videos containing cover versions, original versions of the song with new visual content, and tutorials about how to play the song. Producers of cover versions communicated emotional information, especially tenderness, through facial expression, their surroundings, and corresponding musical elements. Producers’ visual content expressed emotion through meaningful photographs and sad stories. Producers’ descriptions revealed emotion as well. Emotions were individually experienced and socially constructed. Consumers conveyed emotion through likes, dislikes, and expressive positive comments. Intertextuality communicated passion for U2 through tour references, paraphernalia displays, band photographs, imitating the band, and musical mashups. Information science can work toward a new generation of multimedia information retrieval systems that incorporate emotion in order to help users discover documents in meaningful ways that move beyond keyword and bibliographic searches. This is one of the earliest research papers in the area of Emotional Information Retrieval (EmIR).