Argondizza, Peter and , University of Strathclyde and , Royal Scottish Academy of Music and Dram and , Peter Argondizza and , University of Strathclyde (Funder) and , RSAMD (Funder) (2009) The guitar music of Heitor Villa-Lobos: challenging common assumptions regarding idiomatic fingerings, shapes and gestures as used in selected preludes and etudesc. UNSPECIFIED. (Unpublished)
|Video (MPEG) (Argondizza_Villa-Lobos_lecture.mp4) |
|PDF (Peter Argondizza Big Guitar Weekend Villa Lobos distributed documents) - Submitted Version |
|Video (MP4) (Video evidence of Peter Argondizza's Lecture on Villa-Lobos at RSC) - Submitted Version |
Available under License ["licenses_description_unspecified" not defined].
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and Preludes focusing on the relationships between both the "idiomatic" fingerings/shapes employed by Villa-Lobos and their the harmonic and formal design of each composition. The emphasis is emphasis on Etude number 12, though there is further discussion of how early twentieth century compositional trends were incorporated in the Etudes, Preludes and Choros of Villa-Lobos. Audio/visual recording of a lecture-presentation given for the Big Guitar Weekend event at the Royal Scottish Academy of Music and Drama 10 November 2009.
|Notes:||Output media: MPEG 4 Quicktime Movie|
|Keywords:||Argondizza, Guitar, Villa-Lobos, octatonic, pentatonic, etude, Brazil, Preludes, Choros, scalar, pitch class, form, Music, Musical instruction and study, Literature of music|
|Subjects:||Music and Books on Music > Music|
Music and Books on Music > Musical instruction and study
Music and Books on Music > Literature of music
|Department:||Faculty of Humanities And Social Sciences > Music|
|Depositing user:||Dr Peter Argondizza|
|Date Deposited:||20 Jun 2011 11:29|
|Last modified:||13 Mar 2012 15:53|
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