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The Strathprints institutional repository is a digital archive of University of Strathclyde's Open Access research outputs. Strathprints provides access to thousands of Open Access research papers by University of Strathclyde researchers, including by researchers from the Department of Computer & Information Sciences involved in mathematically structured programming, similarity and metric search, computer security, software systems, combinatronics and digital health.

The Department also includes the iSchool Research Group, which performs leading research into socio-technical phenomena and topics such as information retrieval and information seeking behaviour.

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Professional and ethical issues in reporting the traumatic testimony of women asylum seekers

Diamond, Pauline and Duncan, Sallyanne (2010) Professional and ethical issues in reporting the traumatic testimony of women asylum seekers. In: Trauma, Media, Art. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 194-210. ISBN 978-1-4438-2283-1

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Abstract

During the past one hundred years or so the depiction of traumatic historical events and experiences has been a recurrent theme in the work of artists and media professionals, including those in literature, theatre, visual art, architecture, cinema, and television, among other forms of cultural expression and social communication. The essays collected in this book follow a contemporary critical trend in the field of trauma studies that reflects comparatively on artistic and media representations of traumatic histories and experiences from countries around the world. Focusing on a diversity of art and media forms including memorials, literature, visual and installation art, music, video, film, and journalism they both apply dominant theories of trauma and explore the former's limitations while bearing in mind other possible methodologies. Trauma, Media, Art: New Perspectives contributes to a critical trauma studies, a field that reinvigorates itself in the twenty-first century through its constant reassessment of the relationship between theory, artistic and media representation, and ongoing histories of global violence and suffering.