Picture of virus under microscope

Research under the microscope...

The Strathprints institutional repository is a digital archive of University of Strathclyde research outputs.

Strathprints serves world leading Open Access research by the University of Strathclyde, including research by the Strathclyde Institute of Pharmacy and Biomedical Sciences (SIPBS), where research centres such as the Industrial Biotechnology Innovation Centre (IBioIC), the Cancer Research UK Formulation Unit, SeaBioTech and the Centre for Biophotonics are based.

Explore SIPBS research

The Mémoires of Doctor Lamballe and Mister Swing Troubadour : Echoes of Vidocq and Robert Louis Stevenson in Patrick Modiano's La Ronde de nuit

Morris, A.I. (2011) The Mémoires of Doctor Lamballe and Mister Swing Troubadour : Echoes of Vidocq and Robert Louis Stevenson in Patrick Modiano's La Ronde de nuit. In: Narratives of French Modernity. Modern French Identities . Peter Lang AG, Oxford, pp. 123-138. ISBN 9783039110513

Full text not available in this repository. (Request a copy from the Strathclyde author)

Abstract

Inspired by the work of their colleague David Gascoigne, a group of scholars from the UK and France examine in this book the narrative strategies of some of the most interesting and important French writers of the twentieth and twenty-first centuries. Stretching chronologically from 1905 to 2005, the volume examines a wide variety of prose genres, from pornography to Bildungsroman to magic realism, as well as poetry. Michel Tournier figures in several of the contributions, emerging as something of a touchstone for many of the thematic preoccupations that are common throughout the period: values and authority, self and other, identity, spirituality, migration and exile, sexuality, the body, violence and war, and language. The authors also examine the flourishing of intertextuality, as well as the use of traditional forms, such as mythical structures and the 'robinsonade', to undermine authoritative 'métarécits'. Probing these themes and forms, and their metamorphoses across 100 years, the essays demonstrate a striking degree of continuity, linking writers as different as Apollinaire and Houellebecq or Valéry and Fleutiaux, and highlight the difficulty of dividing the period neatly into chronologically ordered categories labelled 'modern' or 'postmodern'.